"A young housewife, finds herself having strange dreams that make her disgusted by meat, leading to trouble with her meat-loving husband and attention from her artist brother in law."- IMDb
A very bizarre drama from director Lim Woo-Seong which was
his debut film.
The pace of the film is very slow like a lot of underground
Korean films.
The sexy Chae Min-Seo plays the confused Young-Hye; a woman
who wants to puke everytime she sees meat. There is nothing wrong with being a
vegetarian but young-hye has some kind of problem. She no longer eats meat, she
no longer wants sex with her husband and she has lost a lot of weight. With her
encounters of her brother in law Min-Ho does she depend a sexual fetish of
being covered in paint. The flowers painted on her and her partner causes a
sexual reaction in her. Although we never really get to see a mentally sound
Young-Hye.
Min-Ho (Chae Min-Seo) is an artist who wants to do erotic
art but is failing to find good models. He discovers his sister in law
Young-Hye, he paints flowers all over her body. She loves it, she is willing to
be filmed and is willing to do anything Min-Ho askes her too while she is
painted. To the point she will even have sex on camera with another painted
person. Min-Ho develops an obsession with her, he no longer wants his wife but
wants her sister. Eventually he paints himself just to have sex with her. You
can’t blame him because Young-Hye is very sexy despite all the mental problems
she has.
Chae Min-Seo is very beautiful and yes she does get nude
several times in this film. With her body it was probably easy for her to
portray Young-Hye. She was the best part about the film, as she was the only
successful part of the film. Well besides Chae Min-Seo’s performance who was
alright. As a fellow artist I could relate to him. It was easy to place myself
in his shoes thus I had a better time understanding his motives.
If you like art house movies then this is the movie for you.
Chae Min-Seo
Film Credits:
Lost and Found
The Loner
The Wig
Kim Hyung-Sung
Film credits:
Knock
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